Mahabharata

Ashvamedhika Parva 59

번역본 변경

1 "Janamejaya said, 'After having conferred that boon on Utanka, O foremost of regenerate persons, what did the mighty-armed Govinda of great celebrity next do?'

2 "Vaisampayana said, 'Having granted that boon to Utanka, Govinda, accompanied by Satyaki, proceeded to Dwaraka on his car drawn by his large steeds endued with great speed. Passing many lakes and rivers and forests and hills, he at last came upon the delightful city of Dwaravati. It was at the time, O king, when the festival of Raivataka had begun, that he of eyes like lotus-petals arrived with Satyaki as his companion. Adorned with many beautiful things and covered with diverse Koshas made of jewels and gems, the Raivataka hill shone, O king, with great splendour. That high mountain, decked with excellent garlands of gold and gay festoons of flowers, with many large trees that looked like the Kalpa trees of Indra's garden, and with many golden poles on which were lighted lamps, shone in beauty through day and night. By the caves and fountains the light was so great that it seemed to be broad day. On all sides beautiful flags waved on the air with little bells that jingled continuously. The entire hill resounded with the melodious songs of men and women. Raivataka presented a most charming prospect like Meru with all his jewels and gems. Men and women, excited and filled with delight, O Bharata, sang aloud. The swell of music that thus rose from that foremost of mountains seemed to touch the very heavens. Everywhere were heard shouts and loud whoops of men who were in all stages of excitement. The cackle of thousands of voices made that mountain delightful and charming. It was adorned with many shops and stalls filled with diverse viands and enjoyable articles. There were heaps of cloths and garlands, and the music of Vinas and flutes and Mridangas was heard everywhere. Food mixed with wines of diverse kinds was stored here and there. Gifts were being ceaselessly made to those that were distressed, or blind, or helpless. In consequence of all this, the festival of that mountain became highly auspicious. There were many sacred abodes built on the breast of that mountain, O hero, within which resided many men of righteous deeds. Even thus did the heroes of Vrishni's race sport in that festival of Raivataka. Equipt with those mansions, that mountain shone like a second Heaven. At the arrival of Krishna, O chief of Bharata's race, that prince of mountains resembled the blessed abode of Indra himself. Worshipped (by his relatives), Krishna then entered a beautiful mansion. Satyaki also went to his own quarters with a delighted soul. Govinda entered his residence after a long absence, having accomplished feats of great difficulty like Vasava amid the Danava host. The heroes of the Bhoja, Vrishni, and Andhaka races, all came forward to receive that high-souled one like the deities advancing to receive him of a hundred sacrifices. Endued with great intelligence, he honoured them in return and enquired after their welfare. With a gratified heart he then saluted his father and mother. The mighty-armed hero was embraced by both of them and comforted too (by numerous evidences of affection). He then took his seat with all the Vrishnis sitting around him. Having washed his feet and dispelled his fatigue, Krishna of mighty energy, as he sat there, then recounted the chief incidents of the great battle in answer to the questions put to him by his sire.'"

What next

The Mahabharata, translated by Kisari Mohan Ganguli (Ganguli), 1896. Public domain by date, through Project Gutenberg. The Mahabharata of Krishna-Dwaipayana Vyasa, translated into English prose by Kisari Mohan Ganguli, 1883 to 1896. Text from Project Gutenberg eBooks 15474 to 15477, which were prepared by John Bruno Hare of sacred-texts.com, Distributed Proofreaders, Mantra Caitanya and David King. 버전: Project Gutenberg eBooks 15474 to 15477, the four-volume Ganguli. 출처

Vyasa's Mahabharata, 18 parvas, in Ganguli's numbering.

번역 자체의 저작권은 만료되었습니다. 이 파일들은 sacred-texts.com에서 스캔하고 교정했으며, 이 사이트의 자체 이용 조건은 사본의 상업적 이용을 제한합니다. 파일을 만든 이가 Project Gutenberg를 통해 게시했고, Project Gutenberg는 그런 제한을 밝히지 않습니다. 저희는 Project Gutenberg의 조건에 따라 Project Gutenberg 파일을 사용하며, 그 경로를 여기에 밝힙니다. Ganguli의 산문에는 절 번호가 없으므로 여기 번호는 문단을 세는 것입니다. 영어는 1880년대의 영어입니다. 비슈마 파르바에서 괄호 안의 바가바드 기타 장 표시와 그 옆의 설명은 Ganguli가 아니라 John Bruno Hare의 것입니다.

이 출처의 이용 조건:

  • Project Gutenberg's licence and name are removed from the text itself
  • Credit the translator and the people who prepared the files

여기에 명시된 출처의 본문을 읽기와 공부를 위해 보여 드립니다. EveryApp은 어떤 본문도 인증하지 않습니다. 중요한 일에는 인쇄본을 확인하거나 해당 전통의 스승에게 물어보세요.

본문 오류 신고권리 문제 신고