Mahabharata

Udyoga Parva 152

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1 Vaisampayana said, “When Krishna had said this, all the monarchs there were filled with joy. And the shout sent forth by those delighted kings was tremendous. And the troops began to move about with great speed, saying, ‘Draw up, Draw up.’ And the neighing of steeds and roars of elephants and the clatter of car-wheels and the blare of conchs and the sound of drums, heard everywhere, produced a tremendous din. And teeming with cars and foot-soldiers and steeds and elephants, that invincible host of the marching Pandavas moving hither and thither, donning their coats of mail, and uttering their war-cries, looked like the impetuous current of the Ganga when at its full, agitated with fierce eddies and waves. And in the van of that host marched Bhimasena, and the two sons of Madri encased in their coats of mail, and Subhadra’s son and the five sons of Draupadi and Dhrishtadyumna of Prishata’s race. And the Prabhadrakas and the Panchalas marched behind Bhimasena. And the din made by the marching hosts, filled with joy, was like unto the roars of the deep when the tide is highest on the day of the new moon. Indeed, the tumult was such that it seemed to reach the very heavens. And capable of breaking hostile ranks, those warriors cased in armour marched thus, filled with joy. And Kunti’s son, king Yudhishthira, amongst them marched, taking with him the cars and other vehicles for transport, the food-stores and fodder, the tents, carriages, and draught-cattle, the cash-chests, the machines and weapons, the surgeons and physicians, the invalids, and all the emaciated and weak soldiers, and all the attendants and camp-followers. And truthful Draupadi, the princess of Panchala, accompanied by the ladies of the household, and surrounded by servants and maids, remained at Upaplavya. And causing their treasure and ladies to be guarded by bodies of soldiers, some of whom were placed as permanent lines of circumvallation and some ordered to move about at a distance from this line, the Pandavas set out with their mighty host. And having made presents of kine and gold to the Brahmanas, who walked around them and uttered blessings, the sons of Pandu commenced the march on their cars decked with jewels. And the princes of Kekaya, and Dhrishtaketu, and the son of the king of the Kasis, and Srenimat, and Vasudana, and the invincible Sikhandin, all hale and hearty, cased in armour and armed with weapons and decked with ornaments, marched behind Yudhishthira, keeping him in their centre. And in the rear, were Virata, Yajnasena’s son of the Somaka race (Dhrishtadyumna), Susarman, Kuntibhoja, Dhrishtadyumna’s sons, forty thousand cars, five times as much cavalry, infantry ten times more numerous (than the last), and sixty thousand elephants. And Anadhrishti, and Chekitana and Dhrishtaketu and Satyaki all marched, surrounding Vasudeva and Dhananjaya. And reaching the field of Kurukshetra with their forces in battle-array, those smiters, the sons of Pandu, looked like roaring bulls. And entering the field, those chastisers of foes blew their conchs. And Vasudeva and Dhananjaya also blew their conchs. And hearing the blare of the conch called Panchajanya, which resembled the roll of the thunder, all the warriors (of the Pandava army) were filled with joy. And the leonine roars of those warriors, endued with lightness of hand and speed of motion, mingling with the blare of conchs and beat of drums, made the whole earth, the welkin, and the oceans resound therewith.”

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The Mahabharata, translated by Kisari Mohan Ganguli (Ganguli), 1896. Public domain by date, through Project Gutenberg. The Mahabharata of Krishna-Dwaipayana Vyasa, translated into English prose by Kisari Mohan Ganguli, 1883 to 1896. Text from Project Gutenberg eBooks 15474 to 15477, which were prepared by John Bruno Hare of sacred-texts.com, Distributed Proofreaders, Mantra Caitanya and David King. Versão: Project Gutenberg eBooks 15474 to 15477, the four-volume Ganguli. Fonte

Vyasa's Mahabharata, 18 parvas, in Ganguli's numbering.

A tradução em si está fora dos direitos autorais. Estes arquivos foram digitalizados e revisados em sacred-texts.com, cujos próprios termos limitam o uso comercial das suas cópias, e foram publicados pelo seu criador por meio do Project Gutenberg, que não declara esse limite. Usamos os arquivos do Project Gutenberg sob os termos dele e indicamos a cadeia aqui. A prosa de Ganguli não tem números de versículos, então os números aqui contam parágrafos. O inglês dela é o da década de 1880. No Bhishma Parva, os rótulos de capítulos do Gita entre colchetes e a observação ao lado deles são de John Bruno Hare, não de Ganguli.

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