Mahabharata

Udyoga Parva 142

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1 “Sanjaya said, ‘Hearing these words of Karna, Kesava, that slayer of hostile heroes, spoke unto him these words smilingly, “Do not the means of winning an empire recommend themselves to thee, O Karna? Wishest thou not to rule over the whole earth given by me to thee? The victory of the Pandavas, therefore, is very certain. There seems to be no doubt in this. The triumphal banner of Pandu’s son, with the fierce ape on it, seems to be already set up. The divine artificer, Bhaumana, hath applied such celestial illusion (in its construction) that it standeth high, displayed like Indra’s banner. Various celestial creatures of terrific shape, indicating victory, are seen on that standard. Extending for a yojana upwards and all around, that beautiful standard of Arjuna, resembling fire in radiance, is never, O Karna, when set up, obstructed by hills or trees. When thou wilt behold in battle Arjuna, on his car drawn by white steeds and driven by Krishna, applying Aindra, Agneya and Maruta weapons, and when thou wilt hear the twang of Gandiva piercing the welkin like the very thunder, then all signs of the Krita, the Treta, and the Dwapara ages will disappear (but, instead, Kali embodied will be present). When thou wilt behold in battle Kunti’s son, invincible Yudhishthira, devoted to Yapa and Homa and resembling the very sun in brilliance, protecting his own mighty army and burning the army of his foes, then all signs of the Krita, the Treta, and the Dwapara ages will disappear. When thou wilt behold in battle the mighty Bhimasena dancing, after having quaffed the blood of Dussasana, like a fierce elephant with rent temples after having killed a mighty antagonist, then all signs of the Krita, the Treta, and the Dwapara ages will disappear. When thou wilt behold in battle Arjuna checking Drona and Santanu’s son and Kripa and king Suyodhana, and Jayadratha of Sindhu’s race, all rushing fiercely to the encounter, then all signs of the Krita, the Treta and the Dwapara ages will disappear. When thou wilt behold in battle the two mighty sons of Madri,--those heroic car-warriors, capable of breaking into pieces all hostile cars,--agitating, from the very moment when weapons will begin to clash, the army of Dhritarashtra’s sons like a couple of infuriated elephants, then all signs of the Krita, the Treta and the Dwapara ages will disappear. Returning hence, O Karna, say unto Drona and Santanu’s son and Kripa that the present month is a delightful one, and that food, drink, and fuel are abundant now. All plants and herbs are vigorous now, all trees full of fruits, and flies there are none. The roads are free from mire, and the waters are of agreeable taste. The weather is neither very hot nor very cold and is, therefore, highly pleasant. Seven days after, will be the day of the new moon. Let the battle commence then, for that day, it hath been said, is presided over by Indra. Say also unto all the kings that have come for battling that I will fully accomplish the desire cherished by them. Indeed, all the kings and princes that are obedient to the orders of Duryodhana, obtaining death by weapons, will attain to an excellent state.”’”

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The Mahabharata, translated by Kisari Mohan Ganguli (Ganguli), 1896. Public domain by date, through Project Gutenberg. The Mahabharata of Krishna-Dwaipayana Vyasa, translated into English prose by Kisari Mohan Ganguli, 1883 to 1896. Text from Project Gutenberg eBooks 15474 to 15477, which were prepared by John Bruno Hare of sacred-texts.com, Distributed Proofreaders, Mantra Caitanya and David King. Versión: Project Gutenberg eBooks 15474 to 15477, the four-volume Ganguli. Fuente

Vyasa's Mahabharata, 18 parvas, in Ganguli's numbering.

La traducción en sí ya no tiene derechos de autor. Estos archivos se escanearon y corrigieron en sacred-texts.com, cuyas propias condiciones limitan el uso comercial de sus copias, y su autor los publicó a través de Project Gutenberg, que no establece ese límite. Usamos los archivos de Project Gutenberg bajo sus condiciones e indicamos aquí la cadena. La prosa de Ganguli no tiene números de verso, así que los números de aquí cuentan párrafos. Su inglés es el de la década de 1880. En el Bhishma Parva, las etiquetas de capítulos del Gita entre corchetes y el comentario junto a ellas son de John Bruno Hare, no de Ganguli.

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